Łukaszewski, Marcin Tadeusz2026-03-092026-03-092014Seminare, 2014, Tom 35, nr 3, s. 173-189.1232-8766https://theo-logos.pl/handle/123456789/42563This article presents the work of Alicja Gronau (b. 1957), composer, musical theorist, and teacher at the Fryderyk Chopin University of Music in Warsaw. Since 1981, her oeuvre comprises 65 songs for solo instruments, chamber ensembles (strings, saxophones, flutes, various instruments), orchestra, a cappella choir, vocal-instrumental and multi-media compositions, as well as one chamber opera. The article analyses these genres on the basis of selected works. Gronau uses a wide range of compositional techniques, including elements of twelve-tone technique, aleatory, sonorism, open form and improvisation. She also employs major-minor tonality.polCC-BY-ND - Uznanie autorstwa - Bez utworów zależnychaleatoryzmAlicja Gronauforma otwartaimprowizacjakompozycjaMarian Borkowskirytmikasonoryzmteatr instrumentalnytwórczość Alicji Gronautechniki kompozytorskiekompozytorzymuzykamuzykologiateoria muzykiteoretycy muzykicompositioneurhythmicsimprovisationopen formaleatoric musicsonorisminstrumental theatreAlicja Gronau’s workcomposition techniquescomposersmusicmusicologymusic theorymusic theoristsArticle