Warzeszak, Józef2025-09-292025-09-292022Teologia w Polsce, 2022, Tom 16, Nr 2, s. 65-110.2956-63551732-4572https://theo-logos.pl/handle/123456789/36762The author of this article presented a large chapter of John Paul II thoughts on instrumental and vocal music based on his speeches delivered after the music concerts dedicated to him, a domain not always perceived by the journalists. Combined together they reveal his abundant teaching on this area of European and Christian culture. The personal bond of the Pope with this area of creativity has been highlighted, and in a special way with the participation of Poles in it. The Christian inspirations of the greatest works of world music has been emphasized. The leitmotif of the papal speeches was the mission that both, instrumental and vocal music has to fulfill in the Church and in the world. This mission has the universal, theological and ecclesial character. They are not separated, but closely connected. In his speeches to the youth, the Pope almost always paid attention to the task of professional improvement, but also of integral human, cultural and religious formation. The music lifts the spirit to what transcends earthly existence. Through the harmony of music notes and dialogue with the instruments, the music leads to contemplation of the beauty of God and His adoration.plCC-BY - Uznanie autorstwaJan Paweł IIKarol WojtyłamuzykaśpiewKościółmuzyka sakralnamuzyka liturgicznamisja teologicznamisja uniwersalnamisja kościelnapokójinspiracja religijnamuzyka kościelnateologiczno-uniwersalna misja muzykiteologiateologiczno-uniwersalna misja śpiewunauczanie papieskienauczanie Jana Pawła IImuzyka instrumentalnamuzyka wokalnaJohn Paul IImusicchantChurchsacred musicliturgical musictheological missionuniversal missionecclesiastical missionpeacereligious inspirationchurch musictheological-universal mission of musictheologytheological-universal mission of chantpapal teachingJohn Paul II’s teachinginstrumental musicvocal musicArticle