Czura, Tomasz2025-09-242025-09-242017Teologia w Polsce, 2017, Tom 11, Nr 2, s. 111-124.2956-63551732-4572https://theo-logos.pl/handle/123456789/36469The article presents the elements of new Mariological paradigm which signs appear in ecclesial’s symbolism. The analysis is mainly based on Italian sources by Bruno Forte, who is the creator of mariological symbolism. The Author of the article doesn’t limit himself only to summarising Forte’s idea, but he also exposes the foundations of new Mariological paradigm which origin starts in ecclesial’s symbolism. It is based on aesthetic compiling of traditional Mariological content. Thanks to this, we can talk about Mariological aesthetics, which the main axis is focused on appreciating the concrete idea on the one hand, and rooting in the Trinity’s internal life on the other hand. Virgin Mary reveals “Everything” in “part”, but not for the price of removing the fragmental. In this way, the balance between historical message and dogmatic aspect of Revelation is achieved. Brunon Forte, within ecclesial’s symbolism, presents solid basics for us to be able to consider new marialogical paradigm and he shows the way for further studies in this field.plCC-BY - Uznanie autorstwamariologiaparadygmatTrójca Świętaestetykaestetyka teologicznateologiaparadygmat maryjnyteologia symbolicznasymbolBruno Forteestetyka mariologicznaeklezjologiaeklezjologia symbolicznasymbolika eklezjalnasymbolikaMariologyparadigmHoly Trinityaestheticstheological aestheticstheologyMarian paradigmsymbolic theologyMariological aestheticsecclesiologysymbolic ecclesiologyecclesial symbolismsymbolismArticle