Cyrek, Olga2024-03-202024-03-202012Analecta Cracoviensia, 2012, T. 44, s. 57-71.0209-08642391-6842http://theo-logos.pl/xmlui/handle/123456789/14454The article describes how Christian art depicted in the Third Person of the Trinity. It was quide difficult, because the Holy Spirit could not appear as a man. Nevertheless, it can be concluded that the hidden remains an icon of the Holy Spirit, Mary, as a person completely penetrated him. On the third hypostasis of Marian icons also appeared as a dove further (the icon Annunciation), or as a light-gold. Christ’s presence on the perceptions of the Holy Spirit has been emphasized by showing the radius, or a small circle (the icon of Christ’s birth). He revealed himself as a dove hovering (the icon of the Baptism of Christ), or as light (the icon of the Transfiguration). However the icon showing a scene “Pentecost”, he reveals himself tongues of fire descending figure, which rest upon the Apostles.plAttribution-NonCommercial-NoDerivs 3.0 Polandhttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/chrześcijaństwodogmatyDuch Świętyikonaikona bizantyjskaikona ruskaikonografiaPięćdziesiątnicaMaryjaJezus ChrystussymbolsymbolikasymbolizmChristianitydogmasHoly SpiriticonByzantine iconRuthenian iconiconographyPentecostMaryJesus Christimagerysymbolismprzedstawienia Ducha Świętego na ikonach bizantyjskichprzedstawienia Ducha Świętego na ikonach ruskichrepresentations of the Holy Spirit on Byzantine iconsrepresentations of the Holy Spirit on Ruthenian iconskanon ikonograficznyiconographic canonArticle