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Invitatoria z benedyktyńskiego antyfonarza opata Mścisława z Tyńca
Bratkowski, Tadeusz (Instytut Teologiczno-Pastoralny im. św. bpa Józefa Sebastiana Pelczara w Rzeszowie, 2004)
Abbot Mscislaw’s antiphonary belongs to the most precious liturgical monuments of the late Polish Middle Ages. It was arranged by Abbot Mscislaw and made by Przybyslaw, Cathedralis, before 1409. It includes the Office chants de Tempore for the whole Church calendar. The antiphonary starts with the I Sunday of the Advent and finishes with the XXIV Sunday after the Pentecost. All the Canonical Hours are found in it. The structure of the Hours indicates the monastic origin of the collection of antiphons. The invitatorium is a preliminary part of the prayer of the Divine Office, which is related to the Psalm XCIV. Its origins are found in the monastic communities living according to the Rule of St. Benedict. The Council of Aachen (817) introduces the invitatory psalm into the Office. The oldest psalm manuscript comes from the Monza Antiphonary of the tenth-century.
Matka Boża Niepokalanie Poczęta w tuligłowskim obrazie w setną rocznicę koronacji 1909-2009
Bratkowski, Tadeusz (Wydawnictwo Archidiecezji Przemyskiej, 2011)
Muzyka sakralna Wielkiego Postu
Bratkowski, Tadeusz (Wydawnictwo Archidiecezji Przemyskiej, 2011)
Pieśń sakralna czasu Adwentu
Bratkowski, Tadeusz (Towarzystwo Naukowe KUL, 2011)
The article is an attempt to view Advent in the aspect of the song that is connected with it and that together with liturgy of this time is given the name of sacred music. The very subject does not constitute a novum, since it has already been discussed, among others by Rev. Prof. Ireneusz Pawlak. However, in the article we find a broader view of the genre of the Advent song, both as far as the verbal and musical content is concerned. This is what Advent is like in its unique atmosphere of expectation, in its exceptional perception of Mary’s role in the history of salvation, and with its great antiphons, now only sung in the Polish language – and the author makes exactly such a division when he discusses the theological contents of the Advent song.