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Nurt awangardowy w twórczości Andrzeja Nikodemowicza na przykładzie „Sonorita quasi una sonata per violono, violoncello e pianoforte”
Dudek, Marek (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 2016)
Andrzej Nikodemowicz whose literary output concentrates mainly around religious works also displayed an interest in avant-garde musical achievements. This can hardly be called a permanent tendency since his fascinations with the „new music” are of a short-lived nature, constituting exclusively an element of satisfying the composer’s curiosity about the dodecaphonic technique and sonoristics. A representative example of these endeavours is the Composizione sonoristica cycle consisting of four pieces for violin, piano and cello and ‒ combining these instruments ‒ Sonorita quasi sonata… The latter, being the topic of the paper ‒ is dominated by sound effects devised by the composer which are accompanied by motifs based on a 12-note scale, numerous clusters and variation processes drawing on neo-classical features. Thanks to this, Nikodemowicz, while making a stylistic synthesis of various epochs, preserves the continuity of his own aesthetics.