Przeglądaj wg Autor "Jasnos, Renata"

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Mojżesz, Gilgamesz i rozwój pisarskich kompozycji
Jasnos, Renata; Szmajdziński, Mariusz (Częstochowskie Wydawnictwo Archidiecezjalne „Regina Poloniae”, 2015)
Books of the Hebrew Bible were shaped in accordance with the customs of the ancient Near Eastern art of writing. This process differs from the assumptions of the Redaction Criticism and certainly does not have an analogy with contemporary writing processes. The composition, which is the Pentateuch of Moses, was formed, to some extent, similarly to Sumerian-Babylonian Epic of Gilgamesh. This is evidenced by the characteristics of the composition, which was created in the way of specific writing activities.
Nuptial Motifs in Composition: A Key to the Interpretation of the Song of Songs
Jasnos, Renata (Katolicki Uniwersytet Lubelski Jana Pawła II, 2021)
The purpose of this paper is to explore the references to nuptial customs found in the Song of Songs as well as their place in relation to the structure of the text. The first stage of analysis consists of identifying various types of these references, while the second stage involved analysing and evaluating their positioning within the composition of the Song of Songs as an expression of the editorial intent of the biblical writers. The study has used elements of form analysis and lexical analysis as well as a comparative analysis of biblical and non-biblical/sub-biblical texts. The analysis revealed that the most important places in the structure of the Song of Songs are allocated to the so-called “poetic episodes,” which have been distinguished earlier, concerning the different stages of nuptials – engagement negotiations, wedding procession, wedding feast and consummation of the marriage. Therefore, they constitute a point of reference for the interpretation of the remaining songs and at the same time the teachings of the sages in the Song of Songs.
The Culmination of the “Royal Travesty” in the Poetic Imagery of Solomon’s Wedding Procession (Song 3:6–11)
Jasnos, Renata (Katolicki Uniwersytet Lubelski Jana Pawła II, 2025)
The description of the wedding procession in Song 3:6–11 is distinguished by the culmination of royal features and its climax in the cyclical poetic development of the theme of the king. It is also the only direct reference to weddings in the Song of Songs. Therefore, the following question has been asked about the content of the culmination of royal metaphors in 3:6–11: What is the relationship between the meaning of the pericope and the wisdom conclusion of the entire Canticle (8:5–7)? The article begins with the cultural context (Sitz im Leben) of weddings, and then arguments are presented in favour of the interpretation of pericope 3:6–11 as a poetic vision of a wedding procession. The literary device of the royal travesty and its use in the Song of Songs (form criticism) are explained. The basic exegetical analysis is preceded by an analysis of the composition of the pericope. It leads to the conclusion that there is a compositional relationship between the pericope under study 3:6–11 and the punch line of Canticle 8:5–7. They reflect the steps in the progression of the message within the cyclical development of its content, so characteristic for the Song of Songs. The study ends with an intertextual analysis of the studied pericope 3:6–11 and the wisdom conclusion of Canticle 8:5–7. A deeper analysis results in the conclusion that the royal travesty of the wedding procession serves as something more than the praise of the nuptials themselves. The bridegroom’s royal travesty is an attempt at a human response to the experienced mystery of the power and splendour of love (mysterium fascinosum) between the bride and bridegroom. The compositional relationship between the pericopes makes it possible to interpret and justify the words of the punch line of Canticle 8:6 as a call to a commitment and oath of nuptial love.
Wierność Torze wiernością Bogu w świetle Deuteronomium
Jasnos, Renata (Katolicki Uniwersytet Lubelski Jana Pawła II, 2007)