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Adam Matyszewski. Z pieśnią wielkopostną przez wieki. Poznań: Wydawnictwo „Hlondianum” 2011 ss. 308. ISBN: 978-83-6021-489-3.
Lisiecki, Tomasz (Towarzystwo Naukowe KUL, 2013)
Odnowa kultury muzycznej kościoła lubelskiego w czasach posługi biskupiej Stefana Wyszyńskiego
Lisiecki, Tomasz (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 2019)
In this article, author presented the process of renewing the musical culture of the Diocese of Lublin just after the end of World War II. The collected sources lead to Stefan Wyszyński, who as the diocesan bishop turned out to be a courageous inspirer, undertaking a series of activities to rebuild the proper level of liturgical life in the Diocese of Lublin. In order to implement the assumptions, Bishop Wyszyński created real opportunities to improve the professional qualifications of church musicians, and thus initiated the process of teaching the faithful a new liturgical repertoire as well as correcting musical and theological errors of the songs previously used. The renovation of many old instruments, as well as the construction of new church organs, had a natural influence on the level of musical culture in the Diocese of Lublin. Care for church music by Bishop Wyszyński was also manifested in admirable (for difficult post-war times) decisions on how to finance the Church’s employees. The presented materials on the subject of church music in the years 1946–1948 in the Diocese of Lublin allow to state that thanks to the Bishop Stefan Wyszyński a lot was done to influence the level of the Church’s musical culture. Until today, after 70 years, these activities should be pointed out as a model to be followed.
Problemy formacji muzycznej duchownych w Polsce
Lisiecki, Tomasz (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 2016)
Author analyzes the issue of musical preparation of candidates for the priesthood and the permanent music formation of priests already working in the ministry. The main argument points to the need for such preparation of future priests to competently lead the religious community. The level of liturgy is highly dependent on them while music plays an important role in it. Author presents the theoretical assumptions contained in the teaching of the Church. They show clearly the need for a thorough musical education of priests. In addition, there were presented two music programs of teaching in Polish clergy seminaries. According to the author, the last one (used since 1999) requires clarifications and corrections in order to effectively implement the objectives established by Church.