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    Obraz Sądu Ostatecznego w ikonosferze sądownictwa
    Krawczuk, Ołeksij; Ostaszczuk, Iwan (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 2022)
    The main function of judicial themes in art is the representation of justice. This article examines the problem of the dialogue of law, religion and art on the example of the image of the Last Judgment, which represents the idea of higher justice, sanctioned by God as the Supreme Judge. On the basis of comparative-historical, semiotic and hermeneutic methods, the question of the genesis and essence of the Christian idea of the Last Judgment was singled out on the basis of narratives of Egyptian and ancient Greek myths and texts of the Holy Scriptures. The main images and symbols of this plot are studied, namely: Christ the Judge, St. Michael, libra and psychostasis. Examples of the Last Judgment in church iconography and art are given.
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    Teologia poezji liturgicznej w przestrzeni sztuki. Analiza na przykładzie opery „Legenda o niewidzialnym grodzie Kiteziu i dziewicy Fiewronii”
    Ostaszczuk, Iwan (Wydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiego, 2020)
    The texts of liturgical poetry are important factors in the formation of works of musical art over the centuries of European music history. This article discusses the theology of liturgical poetry in the space of musical art. The reception of a particular liturgical work in the canvas of musical art creates a corresponding reading of its content in the light of the relevant Christian theological paradigm. Nikolai Rimsky-Korsakov in collaboration with librettist Vladimir Belsky in the opera-legend The Legend of the Invisible City of Kitezh and the Maiden Fevroniya used the textual allusions of the Ortodox church singing Here’s the Groom going. The use of church singing from Lent expresses in the finale of the opera the theological ideas of the Second Coming of Jesus Christ, and also presents a picture of the bliss of paradise being in the Kingdom of Heaven.