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Fides et ratio Jana Pawła II - krótka charakterystyka
Szpilka, Kamil (Wydawnictwo Archidiecezji Przemyskiej, 2009)
Imperatyw personalistyczny Karola Wojtyły jako zasada organizująca relacje międzyosobowe. Zarys problematyki
Szpilka, Kamil (Wydawnictwo Archidiecezji Przemyskiej, 2015)
The personalistic norm is one of key issues in Karol Wojtyla’s philosophical discourse. In the study of ethics “Love and Responsibility” (1960) he emphasized the need to raise the status of a person in response to contemporary cultural and philosophical trends, especially utilitarianism. A person is a good to which the only possible reference should be love and, as a consequence, a person can never be reduced to an object of use. Wojtyła always considered the personalistic imperative as the foundation of the civilization of love, which he later, as pope John Paul II, called to be built. The civilization of love, which is based on the personalistic norm, is a way of existing reciprocal relationships between people, both at the individual level and in a much broader sense ‒ intemationally.
Kim jest Bóg Kartezjusza? Próba analizy III. i V. „Medytacji o pierwszej filozofii”
Szpilka, Kamil (Wydawnictwo Archidiecezji Przemyskiej, 2013)
Perswazja - wyjątkowa forma argumentacji
Szpilka, Kamil (Wydawnictwo Archidiecezji Przemyskiej, 2017)
The author of the sketch is about persuasion as a unique type of argumentation process. It tums out that persuasion does not consist solely in the exchange of substantive arguments, but is accompanied by very carefully thought-out and planned psychological mechanisms. These manipulative techniques tum off the rational factor at the recipient and strongly determine his judgment to automatically adopt thè favored conclusion. Classical persuasion is experiencing tremendous growth in thè world of advertising, whose main tool has become.
Polemika Sørena Kierkegaarda z Georgiem Heglem - początki egzystencjalizmu
Szpilka, Kamil (Wydawnictwo Archidiecezji Przemyskiej, 2015)
Søren Kierkegaard, the nineteenth-century Danish philosopher is described by contemporary scholars as the precursor of existentialism. The philosopher, knowing the system of Georg Hegel’s idealism, analyzes in his works the interior of man and man’s deep experiencing the everyday life. Thereby he exposes the weaknesses of monumental Hegelian system, which at that time was enjoying resounding success in the West. The Danish thinker in his polemical works emphasizes that Hegelian individuai is plunged in the realm of thought, that is the possibilities, while the real existence is immersed in reality and makes meaningful choices. Moreover, Kierkegaard notes a real danger of complete subordination of the individual and his objectives to the state, which in his opinion, essentially undermines individuai autonomy against unspecified crowd. In the Danish philosopher’s thought, the existence engaging in the world, realizing through making choices, suspended between the finite and thè infinite, towering far above the “blurred” individuai, “wedged” in the rigid framework of the Hegelian idealism, was the inspiration for the next existentialists.
„Sztuczna inteligencja” zmierzchem hegemonii ludzkiego umysłu?
Szpilka, Kamil (Wydawnictwo Archidiecezji Przemyskiej, 2013)
W horyzoncie prawdy i piękna - rzeczywistość człowieka w stadium estetycznym w myśli S. Kierkegaarda
Szpilka, Kamil (Wydawnictwo Archidiecezji Przemyskiej, 2017)
The aim of this article is presentation of the most important features of man within the aesthetic stage of life, presented by S. Kierkegaard. Three peculiar issues have been exposed, including the necessary context for understanding the originality of the Danish philosopher. In referring man to truth, Kierkegaard accepts for the aesthete the subjective truth, the truth of the person in the existential sense, which is difficult to express and pass on to the other. The main purpose of aesthete is the beauty to which Kierkegaard gave a dialectical dimension. The final theme of this article is the dialogical structure of sensual and spiritual seduction in which the aesthetics of beauty is subjected.