Liturgia Sacra, 2021, R. 27, nr 2 (58)
Stały URI dla kolekcjihttps://theo-logos.pl/handle/123456789/29882
Błąd w numeracji. W artykułach zamiast „Liturgia Sacra 28 (2021), nr 2” powinno być „Liturgia Sacra 27 (2021), nr 2”.
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Pozycja „Kościół tak niezwykle zły, że zdaje się być oborą”, czyli jak przekonać luteranów do wizyty w brzydkim kościele. Problem wyglądu i lokalizacji świątyni w kazaniu konsekracyjnym pielgrzymkowego kościoła granicznego w Cigacicach (1655, wyd. 1665)Gruk, Wojciech (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2021)The article discusses the inconvenient location and the ugliness of the church as factors potentially discouraging the faithful from visiting it, as well as attempts to overcome them discursively. The article is based on a sermon by pastor Zacharias Textor published in 1665 on the occasion of the consecration of the newly built pilgrimage church located in the secluded Cigacice Forest, in the Margraviate of Brandenburg, near the Silesian border. According to the preacher, the building was so modest that for pilgrims - Lutherans from the neighboring Duchy of Głogów, where their worship was forbidden – it resembled a barn rather than a church. The article provides a reconstruction of Textor’s sermon, aimed at a positive reinterpretation of the negative features of the temple, based on the story of the biblical Jacob (Genesis 28). The analysis of Textor’s argument allows us to better understand the significance of the church building and its equipment in the specific pilgrimage culture of Silesian Lutherans, which developed after the Thirty Years’ War, providing the basis for a more complete interpretation of the related works of architecture and art. The article is enriched with numerous quotations from the sermon, including extensive fragments of a unique description of a temporary temple that has not existed for centurie.Pozycja Krucyfiks „Cristo vivo” w kościele pw. św. Michała Archanioła w Urazie. Wirtuozerskie przedstawienie Chrystusa Ukrzyżowanego Lwowskiej Szkoły Rzeźbiarskiej Doby RokokaKrucyfiks „Cristo vivo” w kościele pw. św. Michała Archanioła w Urazie. Wirtuozerskie przedstawienie Chrystusa Ukrzyżowanego Lwowskiej Szkoły Rzeźbiarskiej Doby RokokaFeliks, Maria (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2021)This paper deals with the question of the “Cristo vivo” crucifix type, a relatively rarely realized motif of the Crucified Christ with his head raised upwards, on the example of a sculpture from the church of Assumption of the Blessed Virgin Mary in Navaria, currently located in St. Michael’s the Archangel church in Uraz near Brzeg Dolny. This crucifix, together with a part of the furnishings of the Navarian temple, was transported in 1945 by the Polish people leaving the Eastern Borderlands to Lower Silesia. The aim of the article is to outline the possible sources of inspiration for this performance, as well as its influence on the faithful as an element of the Baroque theatrum sacrum.