Scripta Biblica et Orientalia, 2015-2016, T. 7-8

Stały URI dla kolekcjihttps://theo-logos.pl/handle/123456789/7113

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Archeologia Khirbet Qumrân w Paryżu
Długosz, Dariusz (Wydawnictwo KUL, 2016)
The paper concerns the archaeological collections of three research institutions dispatched in Paris, the Louvre Museum and the Museum of the Bible and the Holy Land, and also in the collection of the National Library of France, where we can admire the archeological objects and fragments of the manuscripts discovered by the international Dead Sea Scrolls Team at Khirbet Qumrân. One of the archaeological treasures of the collections of the Near East Antiquities Department of the Louvre Museum are three artifacts discovered during the famous excavations at Khirbet Qumrân: the cylindrical “scrolls jar”, used to store biblical scrolls (jarre à manuscrits) and a small fragment of linen, in which the Bible manuscripts were wrapped, here also completed by the faithful copies (facsimiles) of the only one manuscript written on the copper plate, the so-called Copper Scroll (3Q15). The Copper Scroll’s long term conservation against of its strong corrosion held in 1993 – 1997 at the Paris Valectra Laboratory of French Electricity was completed by the restitution of its copies by a brand new technology as X-ray and 3D restitution treatments following by the final facsimiles reproduction in modern Copper. With the turn of the Museum of the Bible and the Holy Land by the Catholic Institute in Paris, it has its own two Dead Sea artifacts of bible archaeology: the cylindrical “scrolls jar” (jarres à manuscrits) and a small fragment of the Psalm manuscript from the Ist century B.C.E. probably coming from Nahal Hever or Qumrân 4Q Cave. These Artifacts of archeology in Paris are completed by the unique collection of 377 small fragments of Hebrew Bible manuscripts, discovered by Polish scholar J.T. Milik in the first Qumrân 1Q Cave in February and March 1949, which the National Library of France purchased in 1952. The fact that many French biblical scholars and archaeologists of the École Biblique in Jerusalem have initiated the first scientific exploration of the settlement and the caves at Khirbet Qumrân in mid-February 1949 it deals a huge contribution of French archeology in the discoveries and publications of the Dead Sea Scrolls.
Gdy obcy stają się swoi, a swoi stają się obcymi. O zawodności identyfikacji etnicznej wspólnot w starożytnej Palestynie
Niesiołowski-Spanò, Łukasz (Wydawnictwo KUL, 2016)
The article presents the phenomenon of affiliating the foraging groups (Danites, Idumaeans) to the virtual Israel, by the Jewish elites (Biblical authors, Josephus Flavius), as well as excluding others from it (in Ezra and Deut. 7:1-8). These processes are discussed in the light of pragmatic actions undertaken by the Judean elites. The conclusions drawn from the presentation point to the fact that religious aspects–present in the inclusion and exclusion accounts–are used merely superficially, because the real reasons based on political calculations. The article highlights also the hypothesis, according to which the discussed phenomenon of readiness to exclude and include certain groups from and in Israel proves to the lack of fixed, and unchangeable limits of such group as Israel. The very sense of Israel, and its limits, was treated dynamically, and was subject to changes, depending to the political circumstances.
Henryka Siemiradzkiego „Chrystus u studni rozmawiający z Samarytanką” (1890). Komentarz archeologiczny
Śliwa, Joachim (Wydawnictwo KUL, 2016)
In 1890 Henryk Siemiradzki (1843-1902) painted a picture which now hangs in the Lviv National Art Gallery. In the composition of the scene he followed the account of the Gospel of St. John (John 4, 1-42). The object of my attention is primarily in this case the figure of a Samaritan woman, as the painter, known for his meticulous, nearly archaeological approach to the detail, represented her in a unique way. After what probably must have been an uneasy search, Siemiradzki dressed the model who posed for this scene in a typical Palestinian female costume of the 19th century (most probably coming from Rafidiye). The clay jug standing on the well, which the girl used to draw water, also deserves attention. anks to the fact that the artist rendered some details of its decoration, the vessel can be identified as Palestinian bichrome ware, dated to Late Bronze Age I (1550-1400 BC). The vessel, most likely deliberately chosen, later found its way into Siemiradzki’s collection of ancient pottery. Siemiradzki often portrayed particular element of this collection in much detail in his paintings.
Literatura biblijna w Nubii chrześcijańskiej
Łajtar, Adam (Wydawnictwo KUL, 2016)
The article offers an overview of Biblical literature in Christian Nubia. It gives a complete list of Biblical texts known from Nubia through the medium of manuscripts and inscriptions. The collected material is analysed with respect to the contents of the texts and their language to reveal some patterns in the use of the Bible by Christian Nubians.

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