Roczniki Teologii Dogmatycznej

Stały URI zbioruhttps://theo-logos.pl/handle/123456789/9382

Roczniki Teologii Dogmatycznej były kontynuacją „Roczników Teologicznych” zeszyt 2: Teologia dogmatyczna, wydawanych od 1949 r. przez Towarzystwo Naukowe KUL (pierwotny tytuł „Roczniki Teologiczno-Kanoniczne” – do roku 1990). Ukazywały się w latach 2009-2013. Obecnie ponownie stanowią zeszyt 2 „Roczników Teologicznych”.

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    „Droga piękna” (via pulchritudinis) a realizacja misji Kościoła według B. Fortego
    Dąbrowski, Jakub (Towarzystwo Naukowe KUL, 2013)
    “The way of beauty” in Bruno Forte’s view appears to be experienced faith or life in the horizon of faith. Beauty, as a category connected with the attitude of love, is a moving, dynamic value. Understood in this way beauty of love till the end can be discovered in the icon of the Beautiful Shepherd – the Crucified Christ. In this personal fragment of history the entirety of the Mystery comes to us – God, who is Love (cf. 1 John 4, 8.16). The love that is cognized is the driving force: love demands a reply of gratefulness. This responsorial character of love that should be characteristic of every Christian, can be first of all seen in Mary – All Beautiful, a transparen Icon of the Mystery. Contemplation of Christ’s face (following Her example of in Her), to which Blessed John Paul II encouraged the faithful (cf. NMI 25), leads to a transformation of the person and the world of persons, as it is entering the way of beauty, whose end is beauty of the person and beauty of the world. For “beauty will save the world” (F. Dostoyevsky).
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    Refleksje nad estetyką wiary chrześcijańskiej w postmodernizmie
    Duque, João (Towarzystwo Naukowe KUL, 2009)
    The concept of aesthetics is a modern one despite its Greek etymology. For this reason it may be considered as one of the basic concepts of modern times. Indeed, the modern process of rationalization would be completely incomprehensible without reference to the so called aesthetic rationality, even in the negative meaning. First of all the term “aesthetic thinking” is used with respect to postmodernism exactly because such thinking is an attempt at overcoming postmodernism. Aesthetics of the faith stems from an actual story; it is based on an actual event: on the story of Jesus that the four Gospels tell us as a testimony. Moreover, the story of Jesus, as the fundamental figure, contains the whole history of the relations between man and God, in this way becoming the universal history of mankind. It is the true theo-anthropodramatics from which every act of faith stems. Theological aesthetics is based on faith as perception of the corporal and historical figure. Moreover, this perception takes place especially as perception of historical and corporal people, who suffer without their own fault. This is why redemption takes place always, without any doubt. The most important currents in theological aesthetics in the modern cultural context are corporality (via corporis) and memory of the Passion, Death and Resurrection (memoria passionis, mortis et ressurrectionis).