The Biblical Annals, 2025, T. 15, nr 1

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    Critical Edition and Philological Analysis of the Last Chapters of Deutero-Isaiah (Isa 54–55) Based on the Coptic Manuscript sa 52 (M 568) and Other Coptic Manuscripts in the Sahidic Dialect and the Greek Text of the Septuagint
    Bąk, Tomasz Bartłomiej (Katolicki Uniwersytet Lubelski Jana Pawła II, 2025)
    This article is a critical edition and philological analysis of the last two chapters of the biblical book of Deutero-Isaiah (Isa 54–55), based on the Coptic manuscript sa 52 and other available manuscripts in the Sahidic dialect. The first part outlines general information about the part of codex sa 52 (M 568) that contains the analysed text. This is followed by a list and brief overview of other manuscripts featuring at least some verses from Isa 54–55. The main part of this article focuses on the presentation of the Coptic text (in the Sahidic dialect) and its translation into English. The differences identified between the Sahidic text and the Greek Septuagint, on which the Coptic translation is based, are illustrated in a tabular form. It includes, for example, additions and omissions in the Coptic translation, lexical changes and semantic differences. The last part of this article aims to clarify more challenging philological issues observed either in the Coptic text itself or in its relation to the Greek text of the LXX.
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    David as a Prophet in the Text of “David’s Compositions” (11Q5 xxvii 2–11) against the Background of the Qumran Literature
    Biegas, Marcin (Katolicki Uniwersytet Lubelski Jana Pawła II, 2025)
    The main aim of this paper is to analyse the biblical figure of King David as a prophet based on the apocryphal text of “David’s Compositions,” which is part of the Great Psalms Scroll from Cave 11 at Qumran (11Q5 xxvii 2–11). The paper consists of three parts. The first part is an analysis of the text of “David’s Compositions” itself. It includes the Hebrew text with its translation into English, the context, and the detailed exegesis of the composition with a strong emphasis on the interpretation of the ending of v. l.3 and the first half of vv. l.4 and l.11 (col. xxvii), relevant to the subject of the presentation. The objective of the second part is to look, in the context of “David’s Compositions,” at the terminology defining the function and figure of the prophet in the Qumran Caves Scrolls. This enables us to limit a huge number of manuscripts only to those in which this terminology occurs. Their content is further verified in terms of their connection to the figure of David. The final, third part concerns the interpretation of three fragments from 4QMMT.