Hezychastyczna praktyka milczenia w ujęciu Jana Klimaka (579-649) i jej wpływ na przedstawienie twarzy w ruskiej ikonografii przełomu XIV i XV wieku

dc.contributor.authorCyrek, Olga
dc.date.accessioned2025-09-12T13:11:31Z
dc.date.available2025-09-12T13:11:31Z
dc.date.issued2012
dc.description.abstractThe first clause article describes the practice of silence described by John Climacus (d. 650), which was characteristic of ascetics living alone and seeking to gain peace of mind and body. In the second part of the article describes the influence of mystical thought on the work of Russian icon painters: Theophany Greek and Andrew Rublev. The practice of silence popular with ascetics was seen also for images of people depicted on frescoes and icons created at the turn of the fourteenth and fifteenth centuries Painted Saints, Mother of God and the angels have certain characteristics. Their faces express the peace and closure to the sensations and worldly affairs. They point to their delicate features. The person show absolute obedience to God. They have a closed mouth, which means that the practice silence and renounce their own will. Small mouth also means that the holy person control his senses and dampen your emotions. They seem to be engrossed in prayer during which remained taciturn. Also, creating icon painters in Russia in the fourteenth and fifteenth centuries were reticent in his work, used a simple means of expression without unduly expand.
dc.identifier.citationTeologiczne Studia Siedleckie, 2012, R. 9, s. 143-163.
dc.identifier.issn1733-7496
dc.identifier.urihttps://theo-logos.pl/handle/123456789/35849
dc.language.isopl
dc.publisherWyższe Seminarium Duchowne Diecezji Siedleckiej im. Jana Pawła II
dc.rightsCC-BY - Uznanie autorstwa
dc.subjecthezychastyczna praktyka milczenia
dc.subjectJan Klimak
dc.subjectikonografia
dc.subjectikonografia ruska
dc.subjectprzedstawienie twarzy w ikonografii ruskiej
dc.subjecttwarz
dc.subjectXIV w.
dc.subjectXV w.
dc.subjectśredniowiecze
dc.subjectikonografia średniowieczna
dc.subjectruska ikonografia średniowieczna
dc.subjectikona
dc.subjecthezychazm
dc.subjecthezychaści
dc.subjectmilczenie
dc.subjectpraktyka milczenia
dc.subjectpraktyka milczenia według Jana Klimaka
dc.subjectakedia
dc.subjectwielomówność
dc.subjectasceza
dc.subjectasceci
dc.subjecthistorii sztuki
dc.subjectsztuka
dc.subjectsztuka średniowieczna
dc.subjectTeofan Grek
dc.subjectBogurodzica
dc.subjectMaryja
dc.subjectwizerunki Maryi
dc.subjectwizerunki świętych
dc.subjectświeci
dc.subjecthesychastic practice of silence
dc.subjectJohn Climacus
dc.subjecticonography
dc.subjectRussian iconography
dc.subjectrepresentation of the face in Russian iconography
dc.subjectface
dc.subjectMiddle Ages
dc.subjectmedieval iconography
dc.subjectRussian medieval iconography
dc.subjecticon
dc.subjecthesychasm
dc.subjectsilence
dc.subjectpractice of silence
dc.subjectpractice of silence according to John Climacus
dc.subjectacedia
dc.subjectpolyphony
dc.subjectasceticism
dc.subjectascetics
dc.subjectart history
dc.subjectart
dc.subjectmedieval art
dc.subjectTheophanes the Greek
dc.subjectMary
dc.subjectimages of Mary
dc.subjectimages of saints
dc.subjectsaints
dc.titleHezychastyczna praktyka milczenia w ujęciu Jana Klimaka (579-649) i jej wpływ na przedstawienie twarzy w ruskiej ikonografii przełomu XIV i XV wieku
dc.typeArticle

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