Przedstawienia Ducha Świętego na ikonach bizantyjskich i ruskich. Kanon ikonograficzny a dogmat teologiczny
Ładowanie...
Data
2011
Autorzy
Tytuł czasopisma
ISSN czasopisma
Tytuł tomu
Wydawca
Instytut Filozoficzno-Teologiczny im. Edyty Stein
Abstrakt
The article describes how Christian art depicted in the Third Person of the Trinity. It was quide difficult, because the Holy Spirit could not appear as a man. Nevertheless, it can be concluded that the hidden remains an icon of the Holy Spirit, Mary, as a person completely penetrated him. On the third hypostasis of Marian icons also appeared as a dove further (the icon Annunciation), or as a light-gold. Christ’s presence on the perceptions of the Holy Spirit has been emphasized by showing the radius, or a small circle (the icon of Christ’s birth). He revealed himself as a dove hovering (the icon of the Baptism of Christ), or as light (the icon of the Transfiguration). However the icon showing a scene “Pentecost”, he reveals himself tongues of fire descending figure, which rest upon the Apostles.
Opis
Słowa kluczowe
ikonografia, iconography, ikona, icon, ikony bizantyjskie, ikony ruskie, kanon ikonograficzny, teologia, theology, teologia dogmatyczna, dogmatic theology, dogmaty, dogmas, Duch Święty, Holy Spirit, przedstawienie Ducha Świętego, representation of the Holy Spirit, Bogurodzica, Maryja, Mary, Ikona Zwiastowania Maryi, Orantka, Jezus Chrystus, Jesus Christ, Ikona Chrztu Chrystusa, Ikona Przemienienia Pańskiego, Ikona Wniebowstąpienia, Ikona Zesłania Ducha Świętego
Cytowanie
Studia Paradyskie, 2011, t. 21, s. 7-20.
Kolekcje
Licencja
Attribution-ShareAlike 3.0 Poland