Nowożytne ikony bizantyjskie i ruskie z symbolicznymi wizerunkami Jezusa Chrystusa. Kanon ikonograficzny i wyjaśnienie teologiczne

Miniatura

Data

2012

Tytuł czasopisma

ISSN czasopisma

Tytuł tomu

Wydawca

Wydział Teologiczny Sekcja w Tarnowie Uniwersytetu Papieskiego Jana Pawła II w Krakowie

Abstrakt

The article explains the iconographic scheme of symbolic representations of Christ, which were present in the Russian and Byzantine art. In comparison to the first characters used on the early these icons have theological content. They represent the whole process of salvation for mankind, and many of them associated with the liturgy. For example, images of Christ as a “Watchful eye” or as the Lamb of God refer to the rites performed during the initial part of the Liturgy. Also important are the images of Christ in the performances of the whole Trinity. The type of the Old Testament Trinity He is shown as one of the three angels, and New Testament Trinity in the form of a man in robes of blue and red. Distinct type of representation is the Son of God in the form of an angel. There is here such topics as: Christ the Holy Silence, Christ Crucified Seraph and Sophia-Wisdom of God.

Opis

Słowa kluczowe

symbolizm, ikonografia, sztuka bizantyjska, chrystologia, teologia, nowożytne ikony bizantyjskie, ikona bizantyjska, nowożytne ikony ruskie, ikona ruska, ikona, symboliczne wizerunki Chrystusa, wizerunki Chrystusa, kanon ikonograficzny, teologia ikony, sztuka sakralna, sztuka religijna, symbolism, iconography, Byzantine art, sztuka, art, Christology, theology, modern Byzantine icons, Byzantine icon, modern Russian icons, Russian icon, icon, symbolic images of Christ, images of Christ, iconographic canon, theology of icon, sacred art, religious art, Jezus Chrystus, Jesus Christ

Cytowanie

Tarnowskie Studia Teologiczne, 2012, T. 31, cz. 1, s. 21-45.

Licencja

Attribution-NonCommercial-NoDerivs 3.0 Poland