Przedstawienia Ducha Świętego na ikonach bizantyjskich i ruskich. Kanon ikonograficzny a dogmat teologiczny
Ładowanie...
Data
2012
Autorzy
Tytuł czasopisma
ISSN czasopisma
Tytuł tomu
Wydawca
Wydawnictwo Naukowe Papieskiej Akademii Teologicznej w Krakowie
Abstrakt
The article describes how Christian art depicted in the Third Person of the Trinity. It was quide difficult, because the Holy Spirit could not appear as a man. Nevertheless, it can be concluded that the hidden remains an icon of the Holy Spirit, Mary, as a person completely penetrated him. On the third hypostasis of Marian icons also appeared as a dove further (the icon Annunciation), or as a light-gold. Christ’s presence on the perceptions of the Holy Spirit has been emphasized by showing the radius, or a small circle (the icon of Christ’s birth). He revealed himself as a dove hovering (the icon of the Baptism of Christ), or as light (the icon of the Transfiguration). However the icon showing a scene “Pentecost”, he reveals himself tongues of fire descending figure, which rest upon the Apostles.
Opis
Słowa kluczowe
chrześcijaństwo, dogmaty, Duch Święty, ikona, ikona bizantyjska, ikona ruska, ikonografia, Pięćdziesiątnica, Maryja, Jezus Chrystus, symbol, symbolika, symbolizm, Christianity, dogmas, Holy Spirit, icon, Byzantine icon, Ruthenian icon, iconography, Pentecost, Mary, Jesus Christ, imagery, symbolism, przedstawienia Ducha Świętego na ikonach bizantyjskich, przedstawienia Ducha Świętego na ikonach ruskich, representations of the Holy Spirit on Byzantine icons, representations of the Holy Spirit on Ruthenian icons, kanon ikonograficzny, iconographic canon
Cytowanie
Analecta Cracoviensia, 2012, T. 44, s. 57-71.
Licencja
Attribution-NonCommercial-NoDerivs 3.0 Poland