Liturgia Sacra, 2014, R. 20, nr 1 (43)

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Redaktorzy „Cantionale ecclesiasticum” jako kontynuatorzy ksiąg piotrkowskich
Bodzioch, Beata (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2014)
Cantionale ecclesiasticum is a group of supplementary liturgical books originating on the territory of Poland between 1822 and 1954. They contain a variety of chants that belong to the liturgical Latin repertoire, with some carefully-selected chants in the Polish language added to them. So far, eleven editors of Cantionale ecclesiasticum have been successfully identified, including two congregational (The Congregation of the Mission), and nine diocesan editors (the Poznań, Gniezno, Vilnius, Lviv and Warsaw dioceses). The largest number of Cantionale (eight) was published by the Missionary Priests, and the hymn book by Rev. J. Surzyński enjoyed the greatest popularity among diocesan authors. There is a total of 30 Polish editions of Cantionale ecclesiasticum. All editors claim to have relied on the printed Piotrków Graduals. Examples of substantial affinity with those books can be noticed, for example, in the rites for Holy Week, which are a continuation of customs preserved in Poland, and also in the conveyance of the so-called Piotrków melodies, i.a. in Lamentations. In addition, the Polish chants being introduced in gradually-increasing numbers are a tentative attempt to make reference to the Piotrków Graduals (Resurrection Sunday). Therefore, the editors of hymn books are heirs of the Piotrków Graduals authors and at the same time the precursors of changes that followed the Second Vatican Council.
Dramatyzacje liturgiczne Wielkiego Tygodnia w żagańskim klasztorze kanoników regularnych pod koniec XV wieku
Ziętek-Krysiński, Piotr (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2014)
The basis of the source considerations in this article is the manuscript book of musicalliturgical, that once belonged to the regular canons of the monastery of Żagań. This manuscript in the library catalogs is usually listed under the name Cantionale et Agenda. The main part of the manuscript is dated back to 1494 year and contains a description of the monastic liturgy on Holy Week. The article discusses all of Holy Week liturgical dramatization which are present in the book, i.e.: Processio in ramis palmarum, Denudatio et ablutio altaris, Mandatum, Depositio crucis and Elevatio crucis. These ceremonials are well known in the literature. Analysis of these celebrations showed that at the end of the fifteenth century in the monastery of Żagań a gradual disappearance of interference in the liturgy can be noticeable, and the rituals are evolving towards the more symbolic forms. That what happened for instance with the Palm Procession proposed by Cantionale et Agenda, which course was minimized to some actions and gestures was a prelude to the coming liturgical reform in the sixteenth century (The council of Trent). The unquestionable influence on it was the continually deepening of people’s awareness and understanding of the church rites by successive generations, which resulted transitioning to more theological forms, moreover, each age has its own and different spirituality and various internal needs. It should also be mentioned that this process did not only concerned to the abbey of Żagań, but also to the whole of the Diocese of Wrocław, where the official liturgy was indisputably the model for the Silesian regular canons as well. Nevertheless, the presented image of the Holy Week liturgical dramatizations still expresses the richness of ritual forms of the late Middle Ages.
Sacrum i profanum w obrazie „Maria in sole” Geertgena tot Sint Jans (część II)
Kubies, Grzegorz (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2014)
The second part of the study of the painting Maria in sole by Geertgen tot Sint Jans from the Museum Boijmans van Beuningen in Rotterdam is divided into two sections. Both are accompanied by theological and iconographic reflections as well. The Christ Child playing two handbells is depicted at the moment of generating the very first movement, creative “energy”, first sound that is going to be taken up by one of the angel musicians holding the same idiophones. Christ, incarnated God is perceived as the Musicus initiating the heavenly harmony represented by the three angelic rings. Profanum aspects in that Marian work of art are reflected in the outermost ring where angels play various musical instruments which I interpret as an incomplete catalogue of the 15th century instruments; the main reference work is Musica getutscht und aussgezoge written in 1511 by Sebastian Virdung. Four thematic sections of the study are as follows: Et signum magnum paruit in caelo: mulier amicta sole / Rosarium Virginis Mariae / Motus autem non est ens completum, sed est via in ens... / Musica coelestis vel mundana
Liturgia godzin jako środek nowej ewangelizacji. Międzynarodowa konferencja naukowa o liturgii godzin (Prešov, 25 marca 2014 r.)
Nowakowski, Przemysław (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2014)
Niedzielne celebracje w przypadku niemożności uczestniczenia w Eucharystii (kan. 1248 § 2)
Adamczyk, Jerzy (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2014)
The subject of this study is the issue of Sunday celebrations in the case of inability to participate in the Eucharist (canon 1248 § 2 Code of Canon Law). First, the matter of an obligation to attend the holy Sunday Mass was discussed. Next, attention is drawn to the issue of the causes of inability to participate in the Sunday Eucharist. Finally, substitute forms of Sunday celebrations in the case of inability to participate in the Eucharist were presented.
Liturgia musi być piękna. O pięknie liturgii Kościołów różnych tradycji
Nowakowski, Przemysław (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2014)
The liturgy of Christian Churches is beautiful because its primordial author is not man but God himself, who is present and active. This conviction is shared by all Christian denominations and can be proven by referring to numerous documents and texts of various authors. The starting point in discovering and demonstrating this beauty is always the liturgy itself. Its aesthetics can be acquired from the theology of liturgy. The liturgy is as beautiful because it reflects the gestures of Christ, for it is He on who the real and true beauty depends. The beauty of the liturgy, both in the West and East, is expressed mainly in its order (ordo) and simplicity. The concept being discussed in the article unites the Churches of different traditions. Indeed, in all of them it is the Divine and human action and encounter which determines the inner beauty of the liturgy, which flows from its heart and accomplishes itself in the numerous external forms, relevant to the particular cultures and particular traditions.
Rivista Liturgica (2012), nr 5–6; (2013), nr 1–2
Lijka, Kazimierz (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2014)
Ekumeniczne nieautoryzowane modlitwy eucharystyczne
Przybylak, Maciej (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2014)
After the II Vatican Council, the position of the Roman Canon was disturbed. Some theologians and liturgists began to create new anaphoras without authorisation of the Holy See. The phenomen of the uncontroled liturgical progression coincided with the ecumenical opening of the Catholic Church. Thus ecumenical eucharistic prayers began to be created and distributed. One of the most significant person in this process was Max Thurian, member of Taizé ecumenical community who as first before the II Vatican Council adapted the Roman Canon according to the ecumenical reasons. Three anaphoras was analysed: Canon of Taizé published in 1967, Canon of Christian Unity issued in Baltimore in 1968 and Canon of Lima Liturgy from 1982. They represent three different circles that edited and applied them during the celebrations. Even if Max Thurian is author of two mentionned anaforas, they emerged in different circumstances. Three ecumenical eucharistic prayers presented here, show up three features related with theological divergences concerning the understanding of the Eucharist as well as the existance of the purgatory: the Eucharist is not called sacrifice directly, rather defined as a sign of the Jesus sacrifice, the real presence of Jesus Christ in bread and wine is not expressed enough, the intercessions for the dead who passed away are omitted. On the other side, all ecumenical anaphoras emphasise the prayer for the unity of the Christians according to Saviours will let all be one. The application of these ecumenical eucharistic prayer is not know in all their dimensions. There were used particulary during the Eucharist with the participation of other non-catholic Christian. Even if these anaphoras were never approved by the Holy See, they deserve an attention, because apart from the theological divergences, they manifest the strong desire of Christian unity, where all could celebrate one Eucharist that is the sacrament of unity indeed.
Siostry Franciszkanki Rodziny Maryi a muzyka polskich emigrantów w południowej Brazylii
Gacek, Gabriela (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2014)
In 2006, The Congregation of the Franciscan Sisters of the Family of Mary celebrated it’s 100th anniversary of the evangelization in Brazil. The article describes the history of the congregation (established in Russia by Zygmunt Szczęsny Feliński in 1850’s) and it’s activity among Polish diaspora in southern part of Brazil, especially in Aurea, RS. Franciscan nuns worked there in a school as teachers of the Polish language, culture – including music – and catholic religion. Their work was very important for preservation the national identity of Polish emigrants who have been coming to Brazil since 1840’s. The author of the article concentrates on describing and analyzing remembered folk music repertoire which used to be learned at Polish school in Aurea before the World War the 2nd – in 1930’s.
Sprawozdanie ze zjazdu Stowarzyszenia Polskich Muzyków Kościelnych (Wrocław, 10–12 września 2013 r.)
Garnczarski, Stanisław (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2014)
Celebracje Mszy świętych w wielkich zgromadzeniach
Krakowiak, Czesław (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2014)
The article touches upon the issue of celebrating Holy Mass in large gatherings of worshippers, which traditionally serve to be a concelebration of the Eucharist at the same time. It draws readers’ attention to the necessity of sustaining the general norms of the celebration of the Holy Mass as presented within the General introduction to the Roman Missal and the relevant instructions issued by the Apostolic See, in particular the Redemptionis Sacramentum Instruction. Further on, it refers to the recommendations of the Congregation for Divine Worship and the Discipline of the Sacraments, which are directly related to the preparation of the liturgy of the Holy Mass in large gatherings of worshippers. These are mainly concerned with the place of celebration (hall, stadium), the preparation of the place for the main celebrant, concelebrating priests and ministers, the altar and the pulpit (presbytery), the vestments and liturgical vessels, the appropriate sound system and the possibility of granting the Holy Communion. The Celebration itself should not bear resemblance to a spectacular show; nor should it be reminiscent of any other gatherings, even of specifically religious character, let alone the lay ones.
Recenzje i omówienia nadesłanych książek
Glombik, Konrad; Potoczny, Mateusz; Pośpiech, Remigiusz; Miklaszewska, Joanna; Koenig, Franciszek (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2014)
Poznawać liturgię i nią żyć – między tradycją a innowacyjnością. Sympozjum o Piusie Parschu (Klosterneuburg, 13–16 marca 2014 r.)
Mateja, Erwin (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2014)
III Tarnowskie Dni Cecyliańskie (Tarnów, 16–22 listopada 2013 r.)
Piekarz, Grzegorz (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2014)
Śląskie sanktuaria – miejsca zachowania transkulturowej ciągłości
Rabiej, Jan (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2014)
Sanctuaries are very special places for all religions, which are rooted in various, cultural settings. The essence of pilgrimage to them flows from a free choice of taking a trek, overcoming divisions as national borders and distinct ethnic, national or religious groups. Holy hills, wonderful sources and other natural relics of supernatural events, and above all, a silhouette of pilgrimage shrines are still recognizable signs of transcendent intuition, which are inscribed in human’s nature. In Silesia – the borderland – where precious threads of their traditions were located by Poles, Germans and Czechs for centuries. Sanctuaries create an extremely colorful mosaic of places – “the guest houses” such as: Wambierzyce in Lower Silesia, Mount St. Anne in the Opole and Piekary in Upper Silesia. They are engraved in the landscape thanks to recognizable qualities of architectural forms of churches, monasteries, calvary chapels and Pilgrim houses. As the history of Silesian sanctuaries proves, they have become an milieu of a local communities crystallization. In their light, generations of many nations grow up to overcome mutual differences, animosities or even a hostility fueled at times of wars, uprisings and subsequent occupations. Undoubtedly, an assimilation of newcomers from abroad, who settled in Silesia permanently, has occured in these places. These “houses” are still alive, as both religious centers and treasures of a widely implied notion of the culture.
Woda w czasie Mszy świętej. Znak wody i jej symbolika
Superson, Jarosław A. (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2014)
According to Julien Ries water belongs to the triad of the cosmic structure, which embraces three great symbols: water, tree and mountain, through which sacrum is being revealed. During the Holy Mass celebrated of the Paschal Season water is present very often either in the words of the prayers or as a sign. The use of water is not only for hygienic reasons, but the water formerly blessed through aspersion reminds everybody about their relationship with the Church and God; the act of adding a drop of water into the chalice of wine reminds the Mystery of Christ’s Incarnation, His manhood and divinity; cleaning hands of the one who is offering the gifts means his purification; the epicletic formula Spiritus tui rore santifica emphasizes the efficiency and fertility of this intervention; the intercession prayer, which speaks about the reborn from the water and the Holy Spirit points to the newly baptized; a prayer ascribed to the purification of the chalice and paten expresses the will and possibility that all who receive Christ in the Eucharist.
Inspiracja „zewnętrzna” i „wewnętrzna” w muzyce polskiej związanej z osobą i myślą Jana Pawła II
Kiwała, Kinga (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2014)
The article refers to selected compositions from the abundant work of Polish composers inspired by John Paul II and his teachings. This work constitutes an exceptional and very frequent phenomenon in Polish music (and not only sticte religious music) which continued since the beginning of the pontificate. The inspiration in this type of compositions is an interesting issue. It usually is (at least) twofold: “external” (referring to the person of the pope) and “internal” (referring to a given composer’s style/interest) which is manifested, among others, in the diversity of genres and forms of these compositions, their closer or further reference to music traditionally perceived as religious, their approach towards the “papal” subject, etc. That is why the problem of inspiration is the centre of the article’s considerations. The theoretical reference point is Władysław Stróżewski’s concept of inspiration as “the dialectics of interiority and exteriority”.
Akustyka wnętrz sakralnych a wrażenie przestrzenności pomieszczeń
Rosiński, Adam (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2014)
The acoustics of sacred rooms is a substantial factor, which is often belittled by architects. Architectonic designing of sanctuary building ought to be based on consultation pertained to acoustics of each sacred building. The author of the following publication, perceiving many acoustic discrepancies concerning sacred interiors, sets himself an aim: to present general acoustic problems relative to the crucial acoustic parameter – spatial impression. The following parameter resultant from the improper architectonic project poses a serious acoustic problem. It causes disturbance in the comprehension of priests words and anomalies concerning resounding of liturgical music. The topic of this article connects knowledge of specialized disciplines, which thorough understanding expands versatility and skill of architects, acousticians and clerics, not to mention the better results in improvement of sacred interior’s acoustics.
Sprawozdanie z V Ogólnopolskiej Pielgrzymki Muzyków Kościelnych na Jasną Górę (Częstochowa, 15 marca 2014 r.)
Kilnar, Nikodem (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2014)
Sesja naukowa „Piękno liturgii” – aspekty franciszkańskie (Katowice-Panewniki, 29 listopada 2013 r.)
Tkocz, Benigna (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2014)

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