Liturgia Sacra, 2019, R. 25, nr 2 (54)

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Obiekty sztuki sakralnej we francuskich kolekcjach prywatnych w XIX wieku – wybrane przykłady
Białonowska, Magdalena (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2019)
The article deals with the problems of the functioning of sacred art objects in private collections created in France in the first half of the 19th century. In the context of the vandalism of the Great French Revolution, a movement of theorists arose who opposed destruction and advocated the protection of art objects as monuments of French history. This movement inspired collectors’ interest in sacred art, mainly medieval. Alexandre Lenoir (1761–1839) was mentioned in the article, followed by collections of medieval religious art created by: Alexander Du Sommerard (1779–1842); Pierre Révoil (1776–1842); Alexandre Sauvageot (1781–1860); Louis Fidel Debruge-Dumenil (1788–1838) and Jean-Baptiste (1792–1871) and Louis (1827–1888) Carrand. Analysis of the content and history of these collections allowed to draw the conclusions about the changing motives for which collectors of the first half of the 19th century collected sacred art objects, from the need to save French art monuments to treating them as research material.