Kultura-Media-Teologia, 2024, nr 58
Stały URI dla kolekcjihttps://theo-logos.pl/handle/123456789/37481
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Przeglądaj Kultura-Media-Teologia, 2024, nr 58 wg Temat "audycje radiowe"
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Pozycja Rany – otwarcie. Wprowadzenie do monografii twórczości Gregory’ego WhiteheadaKowalska-Elkader, Natalia (Wydział Teologiczny UKSW w Warszawie, 2024)The article focuses on the work of the American radio artist Gregory Whitehead, with particular emphasis on the early stage of his work. The selected research method is structuralsemiotic analysis and, as an auxiliary method, mediumspecific analysis. The aim of the article is to present and analyze selected works of Gregory Whitehead (with particular emphasis on the early stage of the artist’s work) and indicate their idiosyncratic features. The key concepts are interference and entropy, treated as structural elements of the broadcast, and the presence of mise en abyme.Pozycja Representations of Women in the Holocaust in Radio Reportages and Radio Plays of Polish Radio Between 1950 and 2022Bachura-Wojtasik, Joanna (Wydział Teologiczny UKSW w Warszawie, 2024)The goal of this article is to present the image of women in the Holocaust from a feminist perspective based on audio literature produced by Polish Radio between 1950 and 2022. My research included the Reportage and Documentary Studio and the Polish Radio Theater, as well as the regional radio station in Lublin. In the article, a qualitative method was employed involving content analysis, followed by comparative analysis. I sought answers to the following research questions: In what categories and to what extent was the tragic fate of Jews determined by gender? How do women remember the Holocaust? What thematic circles emerge from the narratives of and about women? What topics and issues are missing from the audio literature and what might be the reason for this? With full awareness, as well as poignancy, I hypothesize that the Holocaust lasted much longer than it is suggested by the dates recorded in the history books. The audio memoirs of the women – the protagonists of the analyzed broadcasts – preserve the testimony of the “era of the ovens,” and constitute a unique and emotionally moving commemoration of the genocide.

