Symbolika barw, czas i przestrzeń na akatystowych ikonach Bogurodzicy. Schemat ikonograficzny bizantyński i ruski
Ładowanie...
Data
2011
Autorzy
Tytuł czasopisma
ISSN czasopisma
Tytuł tomu
Wydawca
Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego
Abstrakt
Among the paintings deserve attention Marian icons, which emphasized the Theothokos titles contained in the so-called liturgical hymns (acatist). It is this type of imagery includes such icons as Mother of God life v giving source, Veil of Our Lady (Protection) and the Mother of God enthroned. On these icons of the Theotokos is surrounded by cosmic attributes that indicate that sehe is the Queen of Heaven and is associated with all creatures. The central place is occupied by Mary and Child, and is surrounded around her smaller paintings. Just like any icon theological content transitted through a specific work of art, or color, form and line. Prospective lines do not concide in one point here, but guided by the viewer. Colors have a symbolic meaning. Space and time do not have the icon nothing to do with the laws of physics, but reversed the laws of nature. The icon is after all done from the standpoint of eternity, thus uniting in one plane scene taking place at different times. The main characters are placed on the axis of the icons and have larger size, so you create a proper hierarchy of forms. While less important elements are treatet conventionally.
Opis
Słowa kluczowe
sztuka, art, historia sztuki, art history, ikona, ikonografia, barwa, czas, przestrzeń, icon, iconography, colour, time, space, symbolika, imagery, symbol, Maryja, Mary, Bogurodzica, ikona bizantyjska, ikona ruska, Byzantine icon, Ruthenian icon, bizantyjski schemat ikonograficzny, ruski schemat ikonograficzny, Byzantine iconographic scheme, Ruthenian iconographic scheme, akatyst, akathist, ikona akatystowa, akathist icon
Cytowanie
Liturgia Sacra, 2011, R. 17, nr 2 (38), s. 417-436.
Licencja
CC-BY-NC-SA - Uznanie autorstwa - Użycie niekomercyjne - Na tych samych warunkach