Przymioty miłości małżeńskiej w interpretacji obrazu „Portret małżonków Arnolfinich” w kaznodziejskim przepowiadaniu
Data
2015
Autorzy
Tytuł czasopisma
ISSN czasopisma
Tytuł tomu
Wydawca
Prymasowski Instytut Kultury Chrześcijańskiej im. Stefana Kard. Wyszyńskiego w Bydgoszczy
Abstrakt
Jan van Eyck, a representative of Netherlandish realism, was one of the most outstanding painters of the 15th century. He was a forerunner of oil painting and originator of the Renaissance style. Of his numerous paintings, predominantly portraits, one is particularly noteworthy: The Arnolfini Portrait, which depicts a wedding scene. The objects highlighted in the painting have their rich symbolism and meaning, which should be interpreted in terms of marital love virtues. The biblical and theological interpretation can be referred to preaching, particularly in the context of the sacrament of marriage. In the present civilization of the image, interpreted and perceived in a broad sense of the word, the masterpiece and its theological meaning may serve as a source of interpretation of the virtues of marriage. For centuries details related to the characters have been interpreted by art historians and painting experts. They can also be used for the sake of pulpit preaching.
Opis
Słowa kluczowe
przymioty miłości małżeńskiej, miłość, miłość małżeńska, Portret małżonków Arnolfinich (obraz), kaznodziejstwo, przepowiadanie, przepowiadanie obrazowe, obrazy, qualities of conjugal love, love, marital love, Arnolfini Portrait (painting), preaching, figurative preaching, paintings, Jan van Eyck
Cytowanie
Studia Bydgoskie, 2015, Tom 9, s. 291-302.
Kolekcje
Licencja
CC-BY-SA - Uznanie autorstwa - Na tych samych warunkach