Liturgia Sacra, 2020, R. 26, nr 2 (56)

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    Ambony typu lubiąskiego i lubiąsko-głogowskiego w sztuce barokowej Śląska oraz Wielkopolski. Geneza, ewolucja i migracja form
    Kolbiarz, Artur (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2020)
    The pulpit of the church of the Cistercian abbey in Lubiąż, designed by Matthias Steinl, was a landmark work for the development of modern pulpits in Silesia. Its popularity has resulted in several repetitions, where the scale of the similarities and differences in terms of the original division of replication allows us to enter the monument into two sets. The first relates to works paraphrasing the forms of the Lubiąż pulpit exclusively, made at the turn of the 17th and 18th centuries and covers the central and south-eastern part of Lower Silesia, as well as the south-west part of Upper Silesia. A significant role in its popularization was played by the patronage of the Silesian aristocracy (both secular and ecclesiastical), support of monasteries, as well as the artistic center in Wrocław. The second group includes monuments combining Lubiąż concepts with ideas contained in the pulpit of the collegiate church in Głogów. Built during the second quarter of the 18th century, the range covered mainly the Silesian-Greater Poland borderland. In this case, Głogów probably played the main role as a pattern propagating center.
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    Liturgiczne uwarunkowania umiejscowienia ołtarza i tabernakulum we wnętrzu sakralnym po II Soborze Watykańskim w XX wieku
    Bogdan, Mirosław (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2020)
    The article attempts to document that the separation of the tabernacle from the altar ordered in the Post-Conciliar documents has a specific impact on architecture and sacred art. This concerns Post-conciliar liturgical conditions, which are the source of architectural conditions and the way of liturgical arrangement of the interior in the second half of the 20th century. The article, taking into account contemporary architecture clearly, without analyzing the historic renovated interiors, emphasizes the search for modernist methods of building liturgical interiors that have the right to use the modern language of mystical expression. It is proved that the post-Conciliar methods of using contemporary aesthetics bring specific solutions for the existence of liturgical art responsible for the construction of the church interior from the altar, which is the center of the sacred space. Therefore, in addition to the tabernacle, it is the pulpit, sedilia, baptismal font, and paintings and other cult objects that find their place in the space responsible for the clear approximation of the faithful zone to the altar zone, whose highest element, visible to all, is the sacrifice table.