Jaka muzyka w katechezie?

dc.contributor.authorPawlak, Ireneusz
dc.date.accessioned2023-07-24T09:27:02Z
dc.date.available2023-07-24T09:27:02Z
dc.date.issued2001
dc.descriptionAutor tłumaczenia streszczenia: Jan Kłos.pl_PL
dc.description.abstractUsing various disciplines of knowledge, religious instruction should also take advantage of the science which is called musical education. This term is used in two meanings: as a science about musical formation and as performing practice. Musical education as a branch of knowledge embraces theological and axiological problems (aims, values), strictly theoretical (regularities, principles), technological (contents and methods, means and organization), and pedeutological issues (teachers). The great conceptions of Emile Jacques-Dalcroze, Zoltân Kodâl and Carl Orff are especially important for the development of musical education. These conceptions have made it that musical education has been transformed into a branch of art or performing practice. An artistic conception has emerged from the method of Dalccroze, from the method of Kodâl an educational conception, and from the method of Orff a conception which develops musical skills and imagination through the composition of music. Now the catechist who wants to teach music, and he should be one that teaches it, should learn how to play any instrument, how to read notes, to read music, he should know the methods of teaching music. Finally, he should be well conversant with the selection of appropriate repertoire. Even the best recording will not substitute direct teaching. Teaching music at a catechesis should include music designed for the liturgy, and nonliturgical music as well. In liturgical music the first place is occupied by chants (acclamations, dialogues, hymns, songs etc.), and then follow purely instrumental compositions. In the latter case Orff's method can hardly be overestimated. Now non-liturgical music should serve to memorize the acquired truths of faith, or illustrate them, Hence, there is a need to leach also the so called religious songs. All in all, music at a catechesis should have an auxiliary character. Performing redundant music at a catechesis, or else only one that is popular, deviates from the aim of instruction and is detrimental both to pupils and the Church.pl_PL
dc.identifier.citationRoczniki Teologiczne, 2001, T. 48, z. 6, s. 69-89.pl_PL
dc.identifier.issn1233-1457
dc.identifier.urihttp://theo-logos.pl/xmlui/handle/123456789/9458
dc.language.isoplpl_PL
dc.publisherWydawnictwo Towarzystwa Naukowego Katolickiego Uniwersytetu Lubelskiegopl_PL
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Poland*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectkatechezapl_PL
dc.subjectwychowaniepl_PL
dc.subjectmuzykapl_PL
dc.subjectkatechetykapl_PL
dc.subjectmuzykologiapl_PL
dc.subjectpedagogikapl_PL
dc.subjectpedagogika muzycznapl_PL
dc.subjectÉmile Jaques Dalcrozepl_PL
dc.subjectZoltan Kodalypl_PL
dc.subjectfolklorpl_PL
dc.subjectedukacja muzycznapl_PL
dc.subjectmuzyka liturgicznapl_PL
dc.subjectśpiewy liturgicznepl_PL
dc.subjectliturgiapl_PL
dc.subjectinstrumenty muzycznepl_PL
dc.subjectmuzyka pozaliturgicznapl_PL
dc.subjectcatechesispl_PL
dc.subjectupbringingpl_PL
dc.subjectmusicpl_PL
dc.subjectcatecheticspl_PL
dc.subjectmusicologypl_PL
dc.subjectpedagogypl_PL
dc.subjectmusical pedagogypl_PL
dc.subjectfolklorepl_PL
dc.subjectmusical educationpl_PL
dc.subjectliturgical musicpl_PL
dc.subjectliturgical chantspl_PL
dc.subjectliturgypl_PL
dc.subjectmusical instrumentspl_PL
dc.subjectnon-liturgical musicpl_PL
dc.titleJaka muzyka w katechezie?pl_PL
dc.title.alternativeWhat Kind of Music Should be Taught at a Catechesis?pl_PL
dc.typeArticlepl_PL

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