Liturgia Sacra, 2012, R. 18, nr 1 (39)
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Pozycja Ephemerides Liturgicae (2011), nr 1-4Lijka, Kazimierz (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2012)Pozycja Studia Gregoriańskie 5 (2012)Grajewski, Czesław (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2012)Pozycja Missale speciale vratislaviense z 1470 rokuFedorowicz, Szymon (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2012)Pozycja Mistagogia miejscem kształtowania doktryny sakramentów i formacji chrześcijańskiego życia na przykładzie katechez Cyryla JerozolimskiegoFrąszczak, Krzysztof (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2012)Pozycja Wokół niektórych współczesnych nieporozumień związanych z teologią i praktyką sakramentu pokuty i pojednaniaGlombik, Konrad (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2012)Pozycja Utracone walory oleju katechumenów?Lijka, Kazimierz (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2012)Pozycja Dynamizm sakramentów chrztu i bierzmowania w służbie budowania Kościoła jako domuKluz, Marek (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2012)Pastors of the Church in Poland – inspired by the prophetic vision of the Blessed John Paul – made in the early third millennium, the Church’s task completion as a home for their children. Building the Church as your home is crucial to the creation of universal brotherhood, unity and peace in the world. The redemptive activity of Christ in the Church is realized in the holy sacraments. Of all the sacraments of the Church of fundamental importance to Baptism and Confirmation. These two sacraments – as is clear from this publication – bringing in a great richness and diversity of God’s grace, contribute significantly to building the Church as a home. Through fidelity to his vocation and witness of a life loving person baptized and confirmed contributes to the growth of the whole Church and to His holiness. Everything, therefore, what is important in the life of the Church and what gives it the true dimension and meaning, you can find the sacrament of Baptism and Confirmation. Therefore, baptism and confirmation should be seen as a great gift of Christ for the good of the whole Church. Many issues presented in the article very well for the purpose of recovery of charisms received in the sacrament of Baptism and Confirmation.Pozycja Udział duchowieństwa w tańcach w świetle średniowiecznego ustawodawstwa synodalnegoKonarska-Zimnicka, Sylwia (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2012)Synodal charters are one of the most improtant source to the meeting of the past. We can find the laws here regulating all matters relating to the Church, priests and faithful, moreover mentions, and not even spacious fragments about the everyday life of clergymen. They were trying because to prevent behaviours not befitting representatives of the hallowed state with legal validity of acts. Delivering the demand of a moral revival of the clergy during another synods attitudes and behaviours of which clergymen should beware were being drawn precisely. An inclining of the clergy to imitating secular customs, wearing colour dresses, possession of material things or finally spending the time on secular entertainments, that were negated by the Church. Dance was one of these forms of entertainments, which woke the most restrictions. Synodal charters treated to the participation of clergymen in dances from this regard unceasingly. The problem was undertaken in the twofold way: it tended to be that the individual articles of synodal charters had forbid joining to the dance directly, or also – indirectly, when criticize these all revelries, spectacles or masquerade with dancers and other jesters. The ban on practising the dance was a flagship restriction which warning conditioned virtuous life, and which we find almost in everyone, well-known synodical charters. We also notice echoes of synodical decisions in the pastoral works. Medieval preachers loud called for repair of customs of the considerable part “secularized” clergies. But although for the entire Middle Ages repeatedly under threat penalties they were forbidding the participation of clergymen in dances, this phenomenon wasn’t pretended to eliminate, or even to brake.Pozycja O przykładach zastosowania alegoryzmów rememoratywnych w dwóch XVIII-wiecznych kazaniachKuran, Magdalena (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2012)The article presents the problem of rememorative allegory. Such explanation of the liturgy had a very long tradition (9th century; Amalarius of Metz and Raban Maur). The Council of Trent tried to stop propagation of this method because of danger of abuse. But rememorative allegory was still alive. Drawing on two eighteenth-century sermons century, the author describes, how the preachers (Michał Łosiowic and Jan S.K. Wujkowski) present the mass as a rememorative drama, showing whole Christ’s life (Łosiowic) or passion of Christ (Wujkowski). Preachers try to explain laypeople the liturgical rites. They point out correspondenes between the phisical components of the mass and their spiritual referents. It seems to be an attempt of activation liturgy’s participants and sort of liturgical catechesis.Pozycja Rzeczywistość grzechu i praktyki pokutne w Paenitentiale Vigilanum (Albeldense)Kwiatkowski, Dariusz (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2012)Pozycja Historia kalendarza liturgicznegoNowak, Jacek (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2012)Pozycja Aria „Es ist vollbracht” z „Pasji według św. Jana” – muzycznym traktatem o usprawiedliwieniu Jana Sebastiana Bacha?Kochaniewicz, Bogusław (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2012)Analysis of the aria „Es ist vollbracht” of the „Passion according to John” shows that it is part of the current of pietistic devotion, expressed in the language of music by Johannes Sebastian Bach. That aria, develops a theme that is typical for this form of spirituality, which is the union of a dying soul with the Word of carrying an excuse. It is done through the union believing sinner with God’s Word. The analysis of the musical language of Bach’s aria allowed us to arrive to the conclusion that it is not only an example of pietistic devotion transposed to the sphere of music but rather a musical treatise on justification of the great cantor from Leipzig.Pozycja Clemens de Piotrków (c. 1450-1507) – canonicus gnesnensis vir in arte musica peritusPawlak, Ireneusz (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2012)Clemens from Piotrków, born around 1450, studied in the Academy of Kraków, where he was conferred the title of Baccalaureate of Liberate Arts. Later he also studied abroad, where he was awarded with the title of Doctor of both laws. In the years 1480-1487 he lectured on law at the University of Kraków. In 1492 he moved to Gniezno as the Canon of the Cathedral Chapter. He was well respected by the Archbishops in Gniezno, especially by Cardinal Fryderyk Jagiellończyk, who nominated him as Official and Vicar General. As the delegate of the the Chapter and Archbishops, he often represented Gniezno during provincial synods. He even once was a head of the diocesan synod in Gniezno. His legal education did not stop him from being interested in liturgy and cathedral music. Because he was nominated as Chapter Librarian, he had the opportunity to have under his care a book collection on celebration of liturgy. He purchased books himself, and sometimes he funded them. He also used his knowledge of music to make corrections to vital manuscripts and printed books. To this day, four volumes of antiphonary manuscripts from the years 1505-1506 funded by him, and a missal printed in 1506, have survived. Both were made on the basis of his instructions. He is probably responsible for the music in large part of missal. Clemens de Piotrków died in Gniezno in 1507. He is a brilliant figure in the history of liturgy and music of the cathedral in Gniezno.Pozycja Ks. prof. dr hab. Piotr Nawrot SVD – muzykolog rangi światowejStefański, Jerzy (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2012)Father Piotr Nawrot, D.Litt. SVD (born on 2nd June 1955 in Poznań), in his studies of the musical heritage of the Guarani, Maxo, and Chiquito Indians over the Jesuit reductions period (1609-1767) is recognized as an exceptional expert at the Baroque Latin-American music, particularly that of Bolivian Amazonia of the XVII and XVIII centuries. Having won the confidence of the local Indians, Father Nawrot managed to collect, catalogue, preserve, list and reconstruct about 12,000 pages of musical manuscripts, which had hitherto been jealously guarded and stored by the Indians themselves. The manuscripts included the scores of the polyphonic masses, motets, hymns, psalms, vespers, vilancio, lamentations, passions, litanies, Baroque airs, a few operas, etc. The original documentation of the above manuscripts as well as their studies can be found in a number of volumes published by Father P. Nawrot as well as in over forty CD recordings and in regularly held musical festivals and concerts he organizes. Moreover, Father P. Nawrot makes his research results known throughout talks and lectures presented in numerous countries on various continents. No wonder then that Father Nawrot’s exceptionally original and creative contribution to the discovery of our civilization’s cultural heritage has been noticed, appreciated and rewarded with numerous prestigious international awards. Currently, Father Nawrot conducts his scientific activity and research both in Bolivia and at Adam Mickiewicz University in Poznań (the Faculty of Theology).Pozycja W poszukiwaniu sposobów weryfikacji nowo powstałego repertuaru muzyczno-liturgicznegoPoźniak, Grzegorz (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2012)Pozycja Magnificat MM Grażyny Pstrokońskiej-Nawratil. Wybrane elementy symbolicznego kształtowania formyStaśko-Mazur, Kamila (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2012)Pozycja Czasoprzestrzeń sakralna, jej meandry i metamorfozyNadrowski, Henryk (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2012)The sacral reference of ecclesiastical architecture and art makes the context of time and space decisive for the positive or negative effects of those realizations. Concurrently, sacral architecture and art exceeds those categories and criteria, as it touches the sacrum, transcendence, and in fact directs the recipient to the Supernatural Reality. This involves a fundamental difficulty because we use human means of artistic expression as well as human language to describe, interpret or assess these works. That is why the aesthetic and artistic criteria just as theological and liturgical ones change from age to age. It is therefore essential to “see time” and feel it, and to take the “signs of the times” into account. Since for our generation the Second Vatican Council is a culminating point, its spirit (not letter) offers guidance in the continual confrontation between theory and practice, and between the heritage of past generations and what is or should be at present. The crux of the matter is an appropriate understanding of the Christian “now” – hodie. “Historical enslavement”, a sacralization of past ages by furnishing the church space with plagiarisms or replicas is a threat of stagnation in the development of ecclesiastical sacrum. It is an error (sometimes irrevocable) to use inadequate methods of restoration of church monuments, outdated techniques or technologies and to allow mediocre works of low artistic value or ones that are incompatible with the wholesome teaching of the Church. Another unconstructive phenomenon that is nowadays even becoming a process consists in ignoring the original, in other words proper purpose of an ecclesiastical building. This is manifested (mostly in the West) in a tendency to transform church spaces into concert halls, theatres, art galleries, polling stations or commercial enterprises. Such an attitude expresses a distortion of sacral sensitivity (the so-called “religious sense”) and is evidence of an axiological and spiritual amnesia of the present generation. The cure lies in a conscious and intentional return to Christian personalism with regard to individuals (the artist, the investor, the recipient) as well as the community of faith and cult (predominantly the liturgical congregation). It is necessary to combine the nurture of memory and creative thinking. It is important that sacral works, both old and modem and especially those of a symbolic, meditative or mystical character should activate their recipients and induce them to an attitude of co-creativity. Liturgy, architecture and the art that accompanies it should, by means of symbols and signs, open people to God and the Paschal and eschatological reality of the Eternal Feast.Pozycja Dzieje zespołu klasztornego oo. augustianów w Lublinie (1624-1864)Rolska, Irena (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2012)Pozycja Śp. ks. profesor Karol Mrowiec CMKoenig, Franciszek (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2012)Pozycja Międzynarodowa konferencja naukowa „Między liturgiką a performatyką” (Opole, 23-24 listopada 2011 r.)Mateja, Erwin (Redakcja Wydawnictw Wydziału Teologicznego Uniwersytetu Opolskiego, 2012)